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How to Upload My Record in Kelsey

photo: Laura E. Partain

It wasn't just your average Grand Ole Opry presentation Tuesday dark (5-28). The showtime of the evening saw Neb Anderson, Town Mountain, Dustin Lynch, and Hitting Matches perform before the intermission, which was entertaining plenty. But when you noticed that country traditionalist Kelsey Waldon was scheduled to perform in the aforementioned segment equally John Prine, and that Sturgill Simpson was given his own extended xxx minute gear up to close out the show, you had a sense something special was in the air for the evening.

Kelsey Waldon came out first to sing "There Must Be Someone" from her 2016 record I've Got a Way, and and so a new song she said would be appearing on an upcoming record. What we would observe out later is that Waldon'due south new album would be released on John Prine's Oh Boy Records as the independent label's latest signee.

After Prine took the stage amid a warming welcome by journalist Pecker Cody, he sang his well-known song "Spanish Pipedream," and then his latest signature vocal "Summer's End," before inviting Kelsey out on stage with him. "35 years ago, my late business partner Al Bunetta and me, nosotros started an independent record company called Oh Male child Records," Prine told the Opry audience. "And this young lady that's coming back out here, she'south already been out, but I'd like to have her come out and sing a couple of songs because today she'due south the newest member of Oh Boy Records."

The 2 proceeded to sing Prine's "Unwed Fathers," and later "Paradise"—the legendary song near Kentucky'southward Muhlenberg County—which as a native of Kentucky's tiny Monkey's Eyebrow customs, Kelsey Waldon tin can certainly relate to.

"Information technology'due south hard for me to put into words what it truly means to me to be signed to Oh Boy Records," says Waldon almost the signing."To take someone like John, who I accept looked up to my whole life, who I have set my songwriting standards after and my general music making standards after, to accept someone like him endorse my music and care enough nigh information technology to make sure it reaches a wider audience…that ways everything."

Kelsey'due south family farmed tobacco and raised cattle in the western part of Kentucky nigh the Ohio River, and the stories of struggle from of America's rural heartland drip from her songs. Her last album I've Got A Way was a slyly thematic work that found Waldon asserting her own identity and liberty in a world that constantly is attempting to reshape and sway her towards its own image and desires.

"All I accept e'er wanted in a label habitation was for it to feel real, like a little family, and for a characterization to really 'get it,'" Waldon says. "I couldn't inquire for a meliorate dream team, in all seriousness. I'1000 and then thankful I kept on my true north. Afterwards everything I've been through up until this point, Oh Boy feels like home."

"It's an honor for usa to work with Kelsey," says Director of Operations at Oh Boy, Jody Whelan. "At that place is an honesty and commitment in her music, both as a performer and songwriter, that nosotros've long admired. Evident in all her piece of work is a strong signal of view, and a reverence for the civilisation and history of country music and songwriting, she is exactly the type of independent-minded creative person that Oh Boy Records was founded to support."

Later on the big announcement and duets from John Prine and Kelsey Waldon on the Opry stage, fellow Kentuckian and close John Prine friend Sturgill Simpson stepped into the famous circle to close the night out. It was a piddling hard to know what to expect from Sturgill since he hasn't been touring much lately, and hasn't appeared on the Opry in four years. Lately his alive prove has involved a lot more amplification and improvisation than what is customary on the Grand Ole Opry stage. But instead of an extended acid jam, Sturgill went full tilt bluegrass on the Opry crowd, with well-known mandolin player Sierra Hull sitting amidst other special guests, and drummer Miles Miller playing elementary brushes on snare.

Sturgill proved how his roots have ever been in bluegrass, first playing an acoustic version of his song "Long White Line" earlier launching into "Pretty Polly," "Ii Dollar Beak," "Sharecropper's Son" by The Stanley Brothers, along with a bluegrass version of "The Promise" thrown in there. The band then revisited "2 Dollar Beak" to take the show out in a unique set from Sturgill worthy of archiving and bootlegging for the future, and will leave Simpson fans hoping he makes skillful on his threats over the years to release a pure bluegrass tape someday.

Tuesday night'due south 1000 Ole Opry show volition be archived on their website presently for those who don't want to fight through poor prison cell phone footage of the performances. The special moment betwixt John Prine and Kelsey Waldon tin can be seen beneath.

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Source: https://www.savingcountrymusic.com/kelsey-waldon-signs-to-oh-boy-records-sturgill-goes-bluegrass/